Kunle Afolayan faces rising diesel costs at KAP Film Village
Kunle Afolayan, the prominent Nigerian filmmaker, has announced that he is facing significant financial challenges due to the soaring prices of diesel, which are impacting operations at his KAP Film Village. As of March 11, 2026, Afolayan revealed that he spends approximately N11 million on diesel every four to five weeks to keep his film production facility running.
The cost of diesel has surged dramatically, increasing from around N995 to over N1,500 per liter. This steep rise in fuel prices has left Afolayan feeling despondent, as he struggles to cope with the financial strain it places on his operations.
Afolayan has been forced to purchase diesel on credit, which adds to his financial burden. “It’s not sustainable because even the diesel we have been buying was on credit and when we make small money we find a way to pay, and sometimes it takes two months to pay and then get another one on credit,” he stated, emphasizing the precarious nature of his current situation.
Despite having a solar power system in place, Afolayan’s facility still relies heavily on diesel-powered generators. He has expressed a need for public assistance to upgrade his solar power system, stating, “We need a loan to upgrade our solar power. So if you can come to our aid, I will really appreciate it.” This plea highlights the urgent need for sustainable energy solutions in the film industry.
The rising fuel costs are not only affecting Afolayan but are also indicative of a broader trend impacting the sustainability of film production in Nigeria. The surge in fuel prices is gradually driving up the cost of filmmaking, making it increasingly difficult for filmmakers to operate effectively.
Afolayan’s situation reflects the challenges faced by many in the Nollywood industry, as they navigate the financial pressures brought on by fluctuating fuel prices. The filmmaker’s candid remarks about his struggles resonate with many who are similarly affected by the economic climate.
As the situation develops, Afolayan’s call for assistance may prompt discussions about the need for more robust support systems for filmmakers in Nigeria. The industry continues to grapple with the implications of rising operational costs, and Afolayan’s experience serves as a crucial reminder of the challenges faced by creatives in the region.
Details remain unconfirmed regarding any immediate solutions or support that may arise from Afolayan’s public appeal. However, his situation underscores the pressing need for sustainable practices in the film industry to mitigate the impact of rising fuel costs.