The numbers
In the vibrant city of Ikeja, Lagos, music is more than just entertainment; it is a profound means of connection and spiritual expression. Peter Adeshile, known as ‘Kakaki Jesu’, has dedicated his life to gospel music, believing it serves as a form of prayer and communication with God. His recent album, titled ‘Afro According to the Gospel’, reflects his commitment to creating music that resonates with both African roots and spiritual depth.
Adeshile’s musical journey began in Nigeria with the Boys Brigade, where he first picked up the drums before transitioning to the trumpet. “For me, music is a form of prayer. When I play, I am speaking to God and inviting others into that conversation,” he shares. This philosophy underpins his performances, which aim to connect listeners emotionally and spiritually.
In 2025, Adeshile took his music beyond Nigeria, performing across major American cities, showcasing the universal appeal of gospel music. His wife, Yetunde, a project management professional, supports his artistic endeavors, allowing him to focus on his passion. Adeshile emphasizes that music connects where distance separates, a sentiment that resonates deeply with his audience.
Alongside Adeshile is Sola Alabi, another prominent figure in the Lagos music scene. Alabi’s love for music ignited at the tender age of seven, and he has since contributed to over 400 songs from various artists. His debut single, ‘My Heart’s Cry’, released in 2018, marked the beginning of his solo career. Alabi believes that gospel music is a significant responsibility, stating, “People listen with their hearts, not just their ears.” This perspective highlights the emotional weight that gospel music carries.
Alabi’s approach to music is rooted in simplicity and emotional authenticity. He asserts, “My non-negotiable is the right emotions and simplicity! Listeners connect more to the emotions, not complexity.” This philosophy has allowed him to build a strong rapport with his audience, ensuring that his music resonates on a personal level.
Both Adeshile and Alabi exemplify the transformative power of music in their community. Adeshile’s musical development flourished within church communities, where the demand for dedicated musicians often turns enthusiastic volunteers into skilled performers. This nurturing environment has played a crucial role in shaping their artistic identities.
As the music scene in Ikeja continues to evolve, observers are keen to see how these artists will further influence the genre and inspire the next generation of musicians. While the impact of their work is evident, details remain unconfirmed about future collaborations or projects that may emerge from this dynamic musical landscape.